Framing
A work of art has its own intrinsic values. It appeals to the eye and to the soul. But it is the frame that brings it all together and brings the best out of the art work and the best out of your room.
Hugh Goring has been working in the industry for 40 years and consequently is a highly experienced framer. Over the years, the gallery has established itself as one of the finest picture framers in the UK, providing an award-winning service. We specialise in providing a range of hand-made frames designed to bring the very best out of any painting.
The techniques we use are traditional dating back hundreds of years including gesso, rabbit skin glue and bole. The end result is a frame that is unique and will meet your exact
Mouldings



Glass
Modern houses are light places and it can be difficult to find somewhere to hang a picture that doesn’t reflect too much. In the last few years glass which was only available to Art Galleries and Museums is now available to anyone. It reduces the reflections in glass to such a level that the artwork can be seen with no interference. It is wonderful but expensive and we would not sell it for every job. But there are many times when it is exactly what is required. It is also available with added ultra-violet protection against fading.
Finishes
We offer a wide selection of ready-finished mouldings in gold, silver, black, brown, natural, and coloured finishes, ideal for many pieces. With our extensive stock, we often have the perfect frame for your artwork.
However, for those times when something special is needed, our expert hand-finishing skills come into play.
As one of the few workshops in Scotland with skilled gilders, we use traditional techniques that date back to the Renaissance. Gilding with 22ct gold leaf adds warmth and timeless beauty, with an immaculate, burnished shine. Silver leaf, known for its versatility, can range from a soft lustre to near-black tones, creating stunning effects for your frame.
For modern artworks, we can also craft unique frames using liming, waxing, staining, or washing to achieve a distinctive look.



Mountboard
Once upon a time the choice of mountboards was rather small and back when Hugh started as a framer everyone wanted coloured mounts. But fashion changes and at the moment simplicity is the order of the day. Consequently we have a large range of whites and off-whites to suit many works of art. We do, of course still have many other colours that allow for the creation of double mounts and often will suit a particular job.
Nowadays the colour of a mount is not the only consideration, as what it is made of is also important. Some of you may have something that was framed many years ago and the mount will have discoloured greatly, particularly on the inside edge. This is because mounts used to be made from wood pulp which would deteriorate in time.
Today, conservation in framing, as in many other fields, is of importance to the client and we offer a wide range of boards which are made to last and are of great importance when framing something of value. Sentimental or monetary. Once again our staff will advise on what is best for your particular work.